"instancify" is a workflow plugin that finds all objects with identical topology, retains a single one as the Source Object and converts the rest to instances by connecting them to the Source. This way, if your scene has many identical objects, you can quickly convert them to instances. You can chose to convert a single object, selected objects or all objects in your scene. Link to Plugin: https://www.dropbox.com/s/lwur63auin8s23a/instancify%20Plugin.zip?dl=0 Link to Script version. READ-ME: If you don't want to install the plugin, you can use the Script version, and it performs identically. Load the script in the Script Manager, and press "Execute": https://www.dropbox.com/s/fu9ertiyrqv4c2t/instancify%20script.zip?dl=0 Make sure you follow me on Twitter in case I post any new versions, updates and bug fixes. https://twitter.com/nosemangr Watch more Maxon tutorials here: https://www.youtube.com/channel/UCiNkO1NyF7mZrGGo6CzgNgw and here: https://www.youtube.com/user/MaxonC4D To keep getting great Cinema 4D video tutorials: 1. Like 2. Subscribe 3. Ring the Notification Bell 4. Follow me on Twitter https://twitter.com/nosemangr 5. Also follow me on instagram @nosemangr although I never post there to make a point.

In this short video, we explain how to render Ornatrix hair using Redshift in IPR mode. The `Force Render Mode Evaluation` option allows you to work a very small percentage of the total hair count in the Viewport while being able to render the total amount of hairs in the IPR Window. Not only that, this option will also benefit modifiers that provide different data for the final render, like the Detail modifier.

See the original film here: https://vimeo.com/334681285 Directed by Beeple Music by Joyryde - "IM GONE" 3D artists: David Ariew @David Ariew Charles Deck Jon Hutton @BigGreenMug Luis Miranda @lcmirandadesign Christopher Rutledge @tokyomegaplex Stylow @iamstylow Beeple @beeple-crap 2D artists: Sam Burton (@sambmotion) Sofie Lee @sofieleeya Pleasecallmechamp Deekay Kwon @deekaymotion Seongjin Yoon @seongjineim Download assets here: http://beeple-crap.com Follow me at: https://Instagram.com/LuisMiranda4D https://Dribbble.com/LuisMiranda4D https://Twitter.com/LuisMiranda4D https://Behance.com/LuisMiranda4D

🎁DOWNLOAD THIS PROJECT FILE & ASSETS FOR FREE! 🎁 https://som.bz/2W3o206 Cinema 4D is the software of choice for 3D motion designers, but it has always presented a challenge in one area: texturing with UVs. However, with the recent S22 update, texturing with UVs has never been easier. In fact, this can be your new superpower! In this tutorial, Creative Director EJ Hassenfratz walks you through the basics of UVs, unwrapping, and the tips you need to be able to successfully texture your own models! Once you understand the process, you'll be amazed at how this improved workflow opens up your creative capabilities. Cinema 4D S22 New Features https://youtu.be/wFjka7XkZ60 - ~ - ~ - ~ - ~ - ~ - ~ - 🎓INTERACTIVE ONLINE CLASSES 🎓 Cinema 4D Basecamp | http://som.bz/c4dbc All Courses | http://som.bz/2wKsBDu 🧭FREE 10-DAY INTRO COURSE 🧭 The Path to MoGraph | https://som.bz/2VNHb7D 🚴‍♀️FOLLOW US FOR MORE LEARNZ 🚴🏾‍♂️ Website | https://som.bz/2VMjr3N Podcast | https://som.bz/3czNeCP Facebook | https://som.bz/3cF3SBh Twitter | https://som.bz/2PQfSWF Instagram | https://som.bz/2POOJU7 --------------------------------------------------------------------- Auto-Generated Transcript Below 👇 EJ Hassenfratz (00:00): UV unwrapping and cinema 4D used to be the bane to everyone's existence. But with the new UV workflow updates in cinema four D S 22, it's never been easier to learn this extremely useful skill. When you wrap your head around what a UV is and the whole process of UV and rapping, it's like you have this super power where you can finally accurately texture your models with ease, and I'm going to be walking you through the whole process of UVN wrapping, cover the basics of UVS and how you can apply it to your own models. Now, if you want to follow along with me, be sure to download the free project files in the video description below EJ Hassenfratz (00:52): Now you've these are the names of the horizontal and vertical axes of a plane since XYZ is already used for coordinates in 3d space. Now, UV unwrapping is the process of flattening out a 3d model into 2d representation for texturing. Now things have a stuffed animal it's made by sewing together, separated pieces of flat fabric based on a sewing pattern. Two great one sewn together, stuffed animal, basically UV ING is that process of defining seams and then unsiloing or unwrapping a model added seems to flatten it out too easily. Texture UV mapping is then when you apply a texture and map it to your model, utilizing those UVS. EJ Hassenfratz (01:39): So why the need for U visa and unwrapping it all? Well to demonstrate the why let's just start with a very simple case of a cube. And if we went and double clicked in the material manager down here and opened up the material editor and just loaded up, say a tile texture, or checkerboard texture even, and apply this to our cube, you'll see that this is mapped perfectly, no stretch squares, nothing like that. Now what happens if I make this a little longer, where you're going to see that the texture stretched out on these polygons that we actually made longer. And the reason for that can be made more apparent if we actually go and check out the UVS of our object. And I remember the UVS are just the 2d representation of a 3d object now to be able to generate a UV tag. EJ Hassenfratz (02:34): What we need to do is make this object editable because we can't edit UVS on a primitive object. Okay? So I'm going to hit C to make that cube editable, and you'll see that that generated this UVW tag, this holds all of the UV information for this piece of geometry. So to view the UVS, we're going to go to our body pain, UV edit layout, and you'll see the 2d representation of our object here. Now, if I go into my polygon mode here and select this polygon here, you'll see that even though this is a pretty long stretched out polygon, it's actually mapped to this UV texture view as a perfect square. And this is why we have this stretched out texture. Okay. So if I select this polygon here and move this around, you'll see that all the UV editor is, is showing how a texture is mapped to a single polygon. For the full transcript visit: https://som.bz/2W3o206

In this tutorial, you'll learn how to create a cool HUD scanline effect inspired by a scene in the live action Ghost in the Shell movie by using Cinema 4D's Sketch and Toon! Download project files: https://gum.co/dZKHm Please LIKE and SUBSCRIBE if you enjoy this tutorial & check out more tutorials at http://www.eyedesyn.com New to 3D? Watch my FREE Cinema 4D Lite for the 2D Animator series! http://eyedesyn.com/cinema4d-lite Check out my Sketch & Toon tutorial playlist to learn more about Sketch & Toon! https://www.youtube.com/playlist?list=PLhuhkssBjYqfJhFWytkRd45kckvFGL5V0 Got an idea for a tutorial you'd like to see? Contact me here: http://www.eyedesyn.com/contact/ Check out my other tutorials at http://www.eyedesyn.com Creating the Ghost in the Shell HUD Effect with Sketch & Toon Topics Include: • Covering Sketch & Toon effect basics • Learning about the Contour Line type • Using Patterned Lines to create dotted lines • Covering Sketch Material options to create tech lines • Using Sketch Style Tags to apply Sketch Materials to individual objects • Using Material Selection Tags with Sketch Style Tags • Compositing in After Effects to add Glows, Blurs & Color Correction If you have any questions about Creating the Ghost in the Shell HUD Effect with Sketch & Toon in Cinema 4D , post them in the comments section! If you create any cool HUD effects using this technique, be sure to share it with me! Share your work with me: http://instagram.com/eyedesyn http://twitter.com/eyedesyn http://www.facebook.com/eyedesyn Thanks for watching! To get alerted for future live design casts & get sneak peeks at new tutorials before anyone else, sign up for the Eyedesyn Newsletter: bit.ly/1e22BRG

Second part of the Ornatrix with Redshift 3d hair shading stream, covering the topics of material and shading set up for hair.